'Music from behind the Bridge' tells the story of the steelband a symbol of Trinidadian culture, from the point of view of musicians who overcame disadvantages of poverty and prejudice with their extraordinary ambition.
"A symbol of Trinidadian culture, the steelband has made an extraordinary transformation since its origins-from junk metal to steel orchestra, and from disparaged underclass pastime to Trinidad and Tobago's national instrument. Now, Shannon Dudley gives the first discerning look…
The rough guide to Trinidad & Tobago
by Thomas, Polly, De-Light, Dominique, Coates, Robert
fromRough guides
"This book presents an in-depth study of English as spoken in two major anglophone Caribbean territories, Jamaica and Trinidad. Based on data from the International Corpus of English, it focuses on variation at the morphological and syntactic level between the educated standard …
"This book presents an in-depth study of English as spoken in two major anglophone Caribbean territories, Jamaica and Trinidad. Based on data from the International Corpus of English, it focuses on variation at the morphological and syntactic level between the educated standard …
An in-depth study of English as spoken in two major anglophone Caribbean territories, Jamaica and Trinidad.
"Queer Postcolonial Narratives and the Ethics of Witnessing is a critically engaged exploration of power and its relation to ethics and bodies. By revisiting and revising Judith Butler's and Homi Bhabha's queer and postcolonial theories of literary performance, McCormack expands…
"Queer Postcolonial Narratives and the Ethics of Witnessing is a critically engaged exploration of power and its relation to ethics and bodies. By revisiting and revising Judith Butler's and Homi Bhabha's queer and postcolonial theories of literary performance, McCormack expands…
"Queer Postcolonial Narratives and the Ethics of Witnessing is a critically engaged exploration of power and its relation to ethics and bodies. By revisiting and revising Judith Butler's and Homi Bhabha's queer and postcolonial theories of literary performance, McCormack expands…