"Critics have claimed that Jean-Jacques Rousseau was a primitivist who was uncritically preoccupied with "noble savages" and that he remained oblivious to the African slave trade. Fugitive Rousseau demonstrates why these charges are wrong and argues that a fresh, "fugitive" pers…
"Critics have claimed that Jean-Jacques Rousseau was a primitivist who was uncritically preoccupied with "noble savages" and that he remained oblivious to the African slave trade. Fugitive Rousseau demonstrates why these charges are wrong and argues that a fresh, "fugitive" pers…
"Critics have claimed that Jean-Jacques Rousseau was a primitivist who was uncritically preoccupied with "noble savages" and that he remained oblivious to the African slave trade. Fugitive Rousseau demonstrates why these charges are wrong and argues that a fresh, "fugitive" pers…
"Critics have claimed that Jean-Jacques Rousseau was a primitivist who was uncritically preoccupied with "noble savages" and that he remained oblivious to the African slave trade. Fugitive Rousseau demonstrates why these charges are wrong and argues that a fresh, "fugitive" pers…
"Critics have claimed that Jean-Jacques Rousseau was a primitivist who was uncritically preoccupied with "noble savages" and that he remained oblivious to the African slave trade. Fugitive Rousseau demonstrates why these charges are wrong and argues that a fresh, "fugitive" pers…
Jamin Asay's book offers a fresh and daring perspective on the age-old question 'What is truth?', with a comprehensive articulation and defence of primitivism, the view that truth is a fundamental and indefinable concept. Often associated with Frege and the early Russell and Moo…
This volume presents a survey of art from the first two decades of the twentieth century. The authors begin by exploring how aspects of the primitive were invoked by the rural artists' colonies formed in France and Germany at the end of the nineteenth century and by the work of …
This volume presents a survey of art from the first two decades of the twentieth century. The authors begin by exploring how aspects of the primitive were invoked by the rural artists' colonies formed in France and Germany at the end of the nineteenth century and by the work of …
Future Primitive is Zerzan's iconic and long out-of-print work. The new version has many new articles.
We all know what Modern Art looks like. We've seen Monet's water lilies, we've admired Picasso's nudes, and we've gawked at Damien's shark, as well as the price tag. But what does it all mean? What is Modern Art? Who started it? Why do we love/hate it? And why is it such big mon…