Chinese women's cinema

Chinese women's cinema: transnational contexts

by Wang, Lingzhen

Type Book
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The first of its kind in English, this collection covers twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of film, Asian, women's, and auteur studies, contributors reclaim the work of Esther En…

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Title Statements

  • Full title :Chinese women's cinema : transnational contexts / edited by Lingzhen Wang.

Summary

The first of its kind in English, this collection covers twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of film, Asian, women's, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others who have transformed Chinese cinema.

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Edition Statements

  • Publication Date:©2011

Publication Statements

The Physical Object

  • Description:1 online resource (x, 430 pages) : : illustrations

Edition Identifiers

  • ISBN:9780231527446, 0231527446
  • oclc:ocn754326500
  • LC Classification:PN1993.5.C4
  • Dewey Decimal:791.43082

Table of Contents

Cover; Half-Title; Title; Copyright; Table of Contents; Acknowledgments; Introduction; Part I -- FEMALE AUTHORSHIP NEGOTIATED IN DIFFERENT TIMES, SPACES, AND GENRES; Chapter 1 -- Socialist Cinema and Female Authorship; Chapter 2 -- Masochist Men and Normal Women; Chapter 3 -- Migrating Hearts; Part II -- GENDERED VOICES: IMAGES AND AFFECT; Chapter 4 -- The Voice of History and the Voice of Women; Chapter 5 -- Post-Taiwan New Cinema Women Directors and Their Films; Chapter 6 -- Affect, Memory, and Trauma Past Tense; Part III -- THE VISUAL SUBJECT AND FEMINIST CINEMA.

Chapter 7 -- The Encoding of Female SubjectivityChapter 8 -- From Mao's "Continuous Revolution" to Ning Ying's Perpetual Motion (2005); Chapter 9 -- Searching for Female Sexuality and Negotiating with Feminism; Part IV -- FEMALE WRITING, PERFORMANCE, AND ISSUES OF CINEMATIC AGENCY; Chapter 10 -- To Write or to Act, That Is the Question; Chapter 11 -- Gender, Genre, and Performance in Eileen Chang's Films; Chapter 12 -- Chu T'ien-wen and the Sotto Voce of Gendered Expression in the Films of Hou Hsiao-Hsien; Chapter 13 -- To Become an Auteur.

Part V -- MIGRATION, DIASPORA, AND TRANSCULTURAL PRACTICE OF GENDER AND CINEM…

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