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Is a unique, transcultural, interdisciplinary conversation on authorship, feminist cinema, transnational gender, and cinematic agency and representation. Comprehensive introduction recounts the history and limitations of established feminist film theory, particularly its relatio…
"Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and postsocialist feminism, mainstream culture, and women's cinema in modern China."--
Socialist Feminism and Socialist Culture Reconsidered: Institutionalized Practice, Proletarian Public Space, and Experimental Mainstream Cinema -- The Articulation of Embedded Feminist Agency in Socialist Mainstream Cinema: Wang Ping and The Story of Liubao Village (1957) -- Soc…
Socialist Feminism and Socialist Culture Reconsidered: Institutionalized Practice, Proletarian Public Space, and Experimental Mainstream Cinema -- The Articulation of Embedded Feminist Agency in Socialist Mainstream Cinema: Wang Ping and The Story of Liubao Village (1957) -- Soc…
"Revisiting Women's Cinema studies socialist and post-socialist feminisms, mainstream culture, cinematic experimentalism, and women's cinema in modern China by situating the research project in global contexts, especially the spread of colonial modernity (1830s-1940s), the inten…
"Revisiting Women's Cinema studies socialist and post-socialist feminisms, mainstream culture, cinematic experimentalism, and women's cinema in modern China by situating the research project in global contexts, especially the spread of colonial modernity (1830s-1940s), the inten…
In Revisiting Women's Cinema, Lingzhen Wang ponders the roots of contemporary feminist stagnation and the limits of both commercial mainstream and elite minor cultures by turning to socialist women filmmakers in modern China. She foregrounds their sociopolitical engagements, cri…
"Revisiting Women's Cinema studies socialist and post-socialist feminisms, mainstream culture, cinematic experimentalism, and women's cinema in modern China by situating the research project in global contexts, especially the spread of colonial modernity (1830s-1940s), the inten…
"Revisiting Women's Cinema studies socialist and post-socialist feminisms, mainstream culture, cinematic experimentalism, and women's cinema in modern China by situating the research project in global contexts, especially the spread of colonial modernity (1830s-1940s), the inten…
"Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and postsocialist feminism, mainstream culture, and women's cinema in modern China."--