Cinema After Deleuze

Cinema After Deleuze

by Rushton, Richard

Type Book
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CinemaAfter Deleuzeoffers a clear and lucid introduction to Deleuzes writings on cinema whichwill appeal both to undergraduates and specialists in film studies andphilosophy. The book provides explanations of the many categories andclassifications found in Deleuzes two landmark books on cinema and offersassessments of a range of films, including works by John Ford, SergeiEisenstein, Alfred Hitchcock, Michelangelo Antonioni, Alain Resnais and others. Contemporary directors such as Steven Spielbe…

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Title Statements

  • Full title :Cinema After Deleuze / Richard Rushton.

Summary

CinemaAfter Deleuzeoffers a clear and lucid introduction to Deleuzes writings on cinema whichwill appeal both to undergraduates and specialists in film studies andphilosophy. The book provides explanations of the many categories andclassifications found in Deleuzes two landmark books on cinema and offersassessments of a range of films, including works by John Ford, SergeiEisenstein, Alfred Hitchcock, Michelangelo Antonioni, Alain Resnais and others. Contemporary directors such as Steven Spielberg, Lars von Trier, MartinScorsese and Wong Kar-wai are also examined in the light of Deleuzes theorie.

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Edition Statements

  • Publication Date:2012

Publication Statements

The Physical Object

  • Description:1 online resource (174 pages).

Edition Identifiers

  • ISBN:9781441182883, 1441182888
  • oclc:ocn787843590
  • LC Classification:PN1995 .R865 2012
  • Dewey Decimal:791.4301

Table of Contents

Title page; Copyright page; Contents; Acknowledgements; Chapter 1: What Questions does Deleuze's Philosophy of Cinema Answer?; What are the Questions?; Chapter 2: The Movement-Image (I): Griffith, Eisenstein, Gance, Lang; The Movement-Image; D.W. Griffith; Eisenstein and Soviet Montage; Abel Gance and French Impressionism; Fritz Lang and German Expressionism; Chapter 3: The Movement-Image (II): Ford and Kazan; Perception, Action, Affection; The Large Form of the Action-Image: John Ford; Kazan and the American Dream; Chapter 4: The Movement-Image (III): Hawks and Hitchcock.

The Small Form of the Action-Image: Howard HawksThe Relation-Image: Alfred Hitchcock; On Vertigo; Chapter 5: The Time-Image (I): Italian Neorealism and After; What is the Time-Image?; Italian Neorealism; Antonioni; Chapter 6: The Time-Image (II): Ophüls and Fellini; The Time of the Time-Image; Time, Memory and the Past; Max Ophüls: Letter from an Unknown Woman, Lola Montès, La ronde; The Crystal-Image; Federico Fellini; Chapter 7: The Time-Image (III): Welles and Resnais; The Actual and the Virtual; Dreaming of an American Uncle.

Actual and Virtual, Past and Present: Last Year in Marienbad (1961)Chapter 8: Tho…

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Subjects

Criticism, interpretation, etc Deleuze, Gilles Films, cinema Motion pictures -- Philosophy PERFORMING ARTS -- Film & Video Philosophy

Writers

Rushton, Richard

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