When Freud revised his view of the drives, he was living under the shadow of death and the threat of biological and cultural genocide. Like the early twentieth century, our times are marked by massive geopolitical trauma and shifts in technological, epistemic and sexual-represen…
"With actress Pam Grier's breakthroughs in Coffy and Foxy Brown, women entered action, science fiction, war, westerns and martial arts films--genres that had previously been considered the domain of male protagonists. This ground-breaking cinema is still viewed with ambivalence.…
Dance on Screen is a comprehensive introduction to the rich diversity of screen dance genres. It provides a contextual overview of dance in the screen media and analyses a selection of case studies from the popular dance imagery of music video and Hollywood, through to experimen…
Introduction : beyond the cinema of consensus? : new directions in German cinema since 2000 / Paul Coole and Chris Homewood -- 'A kind of species memory' : the time of the elephants in the space of Alexander Kluge's cinematic principle / John E. Davidson -- Downfall (2004) : Hit…
New directions in German cinema
by Cooke, Paul, Homewood, Chris
fromTauris world cinema series
Having been in the doldrums since the 1980s, German language cinema is again attracting attention at home and abroad with now regular Oscar nominations and wins for the linkes of 'Downfall' and 'The lives of others', as well as attention at all the main international festivals. …
"This text aims to provide fresh insights into Eisenstein's films and writings. It examines the multiple concerns within which his films evolved and Eisenstein's appropriation of all of world culture as his source. Like Eisenstein himself, Anne Nesbet is particularly interested …
Tells the life story of mathmatical genius John Nash, his descent into schizophrenia and his subsequent triumph over the illness and winning of the Nobel Prize; This title is also available as a film.
Andrew Higson demonstrates how a variety of Englishnesses have appeared on screen since 1990, and surveys the genres and production modes that have captured those representations. He examines several contemporary 'English' dramas that embody the transnationalism of contemporary …
Cinema and Agamben brings together a group of established scholars of film and visual culture to explore the nexus between the moving image and the influential work of Italian philosopher Giorgio Agamben. Including two original texts by Agamben himself, published here for the fi…
Transgender on Screen explores the cultural representations of transvestism and transsexuality in modern screen media, against an essential historical background. This fascinating and original study examines how cross-dressers and transsexuals are represented in three different …
In 1836 in East Texas, nine-year-old Cynthia Ann Parker was kidnapped by Comanches, raised by the tribe, and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to…
This book is a study of the "Great Movies," that fluid category of feature films deemed by various authorities-film societies, critics, academics, and movie enthusiasts-to be the enduring and memorable works of cinematic history. But what are they about? In Wit's End, the author…
The term "neorealism" was first applied by the critic Antonio Pietrangeli to Visconti's Ossessione (1942), and the style came to fruition in the mid-to-late forties in such films of Roberto Rossellini, Luchino Visconti, and Vittorio De Sica as Rome, Open City (1945), Shoeshine (…
Portuguese Film, 1930-1960: The Staging of the New State Regime provides groundbreaking analysis of Portuguese feature films produced in the first three decades of the New State (Estado Novo), a right-wing totalitarian regime that lasted between 1933 and 1974. These films, spons…
This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the past decade has…
The cinema of sensations
Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, cit…
"This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, whi…
"This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, whi…