Cinematic chronotopes: here, now, me
The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here, ' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth trac…
Read More ↓Title Statements
- Full title :Cinematic chronotopes : here, now, me / Pepita Hesselberth.
Summary
The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here, ' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a mu.
Read More ↓Edition Statements
- Publication Date:2014.
Publication Statements
- Publisher(s):Bloomsbury
- Place of Publication:New York
- Language:eng
- Publication Date:2014.
The Physical Object
- Description:1 online resource
Edition Identifiers
- ISBN:9781623569501, 1623569508, 9781501300134, 150130013X, 9781623566470, 1623566479
- oclc:ocn880356982
- LC Classification:PN1993.5.A1
- Dewey Decimal:791.4300905
Table of Contents
Cover; Contents; List of Illustrations; Acknowledgments; Introduction; The site of cinema; Cinematic time; Deixis; Flashing forward; 1 HERE-Locating the Cinematic; Expanded cinema: Proliferating screens; It's about time (Or is it?): Situating; Other rooms: Re-scaling; Outer and inner space: Expanding; Locating the cinematic: Here; 2 NOW-Navigating Cinematic Time; Handheld histories: Authenticity, reflexivity, corporeality; Authentic encounters: Zusje (Little Sister); Affective encounters: Rosetta; Traumatic encounters: Idioterne (The Idiots); Navigating cinematic time: Now.
3 Me-Situating Cinematic Presence3D and the demise of the Euclidian subject; Projection: From subject-effect to presence-effect; Presence and the temporality of the event; The experience of agency; Situating cinematic presence: Me; 4 Coda-Flash Forward; Notes; Filmography and Artworks; Bibliography; Index.
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