Classical and romantic music
"This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy."--Provided by…
Read More ↓Title Statements
- Full title :Classical and romantic music / edited by David Milsom.
Summary
"This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy."--Provided by publisher.
Read More ↓Edition Statements
- Publication Date:2016.
Publication Statements
- Publisher(s):Routledge
- Place of Publication:London
- Language:eng
- Publication Date:2016.
The Physical Object
- Description:1 online resource (528 pages)
Edition Identifiers
- ISBN:9781351571753, 1351571753, 9781315095653, 1315095653, 9781351571739, 1351571737
- oclc:ocn993781869
- LC Classification:ML457
- Dewey Decimal:781.4/309033
Table of Contents
Part Part I Style and Purpose: Appraising Eighteenth and Nineteenth Century Aesthetics -- chapter 1 Clive Brown (2006), 'Performing Classical Repertoire: The Unbridgeable Gulf between Contemporary Practice and Historical Reality' -- chapter 2 Laurence Dreyfus (1992), 'Mozart as Early Music: A Romantic Antidote' -- chapter 3 Daniel Leech-Wilkinson (2010), 'Listening and Responding to the Evidence of Early Twentieth-Century Performance' -- part Part II Studies in Historical Sources -- chapter 4 Michael D. Green (1994), 'Mathis Lussy's Traite de l'expressione musicale as a Window into Performance Practice' -- chapter 5 Claire A. Fontijn (1995), 'Qurʼantz's unegal: Implications for the Performance of 18th-Century Music' -- chapter 6 Dorottya Fabian (2006), 'The Recordings of Joachim, Ysaye and Sarasate in Light of Their Reception by Nineteenth-Century British Critics' -- part Part III Instruments, Ensembles and Conducting -- chapter 7 Roger Freitas (2002), 'Towards a Verdian Ideal of Singing: Emancipation from Modern Orthodoxy' -- chapter 8 Camilla Cai (1989), 'Brahms's Pianos and the Performance of His Late Piano Works' -- chapter 9 Clive Brown (1988), 'The Orchestra in Beethoven's V…
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