Classical and romantic music

Classical and romantic music

by Milsom, David

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Title Statements

  • Full title :Classical and romantic music / edited by David Milsom

Edition Statements

  • Publication Date:©2011

Publication Statements

Notes

Essays originally published 1973-2010

Pt. I. Style and purpose: appraising eighteenth and nineteenth century aesthetics. 1. Performing classical repertoire: the unbridgeable gulf between contemporary practice and historical reality / Clive Brown. 2. Mozart as early music: a romantic antidote / Laurence Dreyfus. 3. Listening and responding to the evidence of ealy twentieth-century performance / Daniel Leech-Wilkinson. Pt. II. Studies in historical sources. 4. Mathis Lussy's Traite de l'expressione musicale as a window into performance practice / Michael D. Green. 5. Quantz's unegal: implications for the performance of 18th-century music / Claire A. Fontijn. 6. The recordings of Joachim, Ysaÿe and Sarasate in light of their reception by nineteenth-century British critics / Dorottya Fabian. Pt. III. Instruments, ensembles and conducting. 7. Towards a Verdian ideal of singing: emancipation from modern orthodoxy / Roger Freitas. 8. Brahms's pianos and the performance of his late piano works / Camilla Cai. 9. The orchestra in Beethoven's Vienna / Clive Brown. 10. Mozart's Viennese orchestras / Dexter Edge. 11. Rejected traditions: ensemble placement in nineteenth-century Paris / Donna M. Di Grazia. 12. Style and sonority in Wagner string performance / David Milsom. 13. The origins of the ideology of authenticity in interpretation: Mendelssohn, Berlioz and Wagner and conductors / Jośe Antonio Bowen. Pt. IV. Tempo and rhythm. 14. Historical performance, metronome marks and tempo in Beethoven's symphonies / Clive Brown. 15. The case of compensating rubato / Sarah Martin. 16. Tempo as an expressive element in the late Romantic lied / Edward F. Kravitt. 17. New light on late eighteenth-century tempo: William Crotch's pendulum markings / Emanuel Rubin. Pt. V. Aspects of notation. 18. Dots and strokes in late 18th- and 19th-century music / Clive Brown. 19. The expressive pause: punctuation, rests and breathing in England 1770-1850 / Robert Toft. 20. Beggar at the door: the rise and fall of portamento in singing / John Potter. 21. Bowing styles, vibrato and portamento in nineteenth-century violin playing / Clive Brown. 22. Portamento and the phonograph effect / Mark Katz

The Physical Object

  • Description:xxxii, 495 s. : : illustrations, music ; : 25 cm

Edition Identifiers

  • ISBN:9780754628590, 0754628590
  • oclc:ocn781617743
  • LC Classification:ML457
  • Dewey Decimal:781.4309033

Table of Contents

pt. I. Style and purpose: appraising eighteenth and nineteenth century aesthetics -- 1. Performing classical repertoire: the unbridgeable gulf between contemporary practice and historical reality / Clive Brown -- 2. Mozart as early music: a romantic antidote / Laurence Dreyfus -- 3. Listening and responding to the evidence of ealy twentieth-century performance / Daniel Leech-Wilkinson -- pt. II. Studies in historical sources -- 4. Mathis Lussy's Traite de l'expressione musicale as a window into performance practice / Michael D. Green -- 5. Quantz's unegal: implications for the performance of 18th-century music / Claire A. Fontijn -- 6. The recordings of Joachim, Ysaÿe and Sarasate in light of their reception by nineteenth-century British critics / Dorottya Fabian -- pt. III. Instruments, ensembles and conducting -- 7. Towards a Verdian ideal of singing: emancipation from modern orthodoxy / Roger Freitas -- 8. Brahms's pianos and the performance of his late piano works / Camilla Cai -- 9. The orchestra in Beethoven's Vienna / Clive Brown -- 10. Mozart's Viennese orchestras / Dexter Edge -- 11. Rejected traditions: ensemble placement in nineteenth-century Paris / Donna M. Di Grazia …

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