Gendered frames, embodied cameras

Gendered frames, embodied cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn

by McFadden, Cybelle H.

Type Book
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Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure representation, gender, and cinema.

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Title Statements

  • Full title :Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn / Cybelle H. McFadden.

Summary

Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure representation, gender, and cinema.

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Edition Statements

  • Publication Date:2014

Publication Statements

The Physical Object

  • Description:1 online resource (xii, 233 pages)

Edition Identifiers

  • ISBN:9781611476330, 161147633X
  • oclc:ocn881183706
  • LC Classification:PN1998.3.V368
  • Dewey Decimal:791.4302/330925

Table of Contents

Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009) -- Section 1. Self-authorization through self-representation -- Reflected reflexivity: Agnès Varda's aging female body -- Enacted reflexivity: Chantal Akerman par Chantal Akerman -- Hybrid reflexivity: Dominique Cabrera's half-body, half-camera -- Section 2. Self-construction through faux narratives -- Orchestrated reflexivity: Sophie Calle's narrative body as artist -- Faux reflexivity: Maïwenn's camera and the female body -- Conclusion: Reflections on gendered frames, embodied cameras.

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Writers

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