Title Statements
- Full title :Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn / Cybelle H. McFadden.
Summary
Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure representation, gender, and cinema.
Read More ↓Edition Statements
- Publication Date:2014
Publication Statements
- Publisher(s):Fairleigh Dickinson University Press
- Place of Publication:Madison
- Language:eng
- Publication Date:2014
The Physical Object
- Description:1 online resource (xii, 233 pages)
Edition Identifiers
- ISBN:9781611476330, 161147633X
- oclc:ocn881183706
- LC Classification:PN1998.3.V368
- Dewey Decimal:791.4302/330925
Table of Contents
Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009) -- Section 1. Self-authorization through self-representation -- Reflected reflexivity: Agnès Varda's aging female body -- Enacted reflexivity: Chantal Akerman par Chantal Akerman -- Hybrid reflexivity: Dominique Cabrera's half-body, half-camera -- Section 2. Self-construction through faux narratives -- Orchestrated reflexivity: Sophie Calle's narrative body as artist -- Faux reflexivity: Maïwenn's camera and the female body -- Conclusion: Reflections on gendered frames, embodied cameras.
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