Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose n…
The argument of McFadden is that some French female filmmakers, from the New Wave precursor Agnès Varda to the twenty-first-century actor/director Maïwenn, have systematically turned their cameras towards their own bodies. She sets out to investigate the strategies implied by th…
Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose n…
"Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn is the first book to link these five filmmakers together through an analysis of the relationship between filming one's own body and the creative body. Through engaged artistic practices, these female…
Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose n…
Women filmmakers: refocusing
This thesis presents a framing for analyzing forms of visual interventions by international photojournalists, documentary photographers, and filmmakers during the collapse of Yugoslavia and the Soviet Union (with the focus on Russia) in the 1990s. The framing rests on the distin…