La jetée

La jetée

by Darke, Chris

Type Book
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Chris Marker's La Jetee is 28 minutes long and almost entirely made up of black-and-white still images. Since its release in 1964, this legendary French film - which Marker described as a 'photo-novel' - has haunted generations of viewers and inspired writers, artists and film-makers. Its spiralling time-travel narrative has also influenced many other films, including the Terminator series and Terry Gilliam's Hollywood 'remake' Twelve Monkeys (1995). But as Marker rarely gave interviews, little…

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Title Statements

  • Full title :La jetée / Chris Darke.

Summary

Chris Marker's La Jetee is 28 minutes long and almost entirely made up of black-and-white still images. Since its release in 1964, this legendary French film - which Marker described as a 'photo-novel' - has haunted generations of viewers and inspired writers, artists and film-makers. Its spiralling time-travel narrative has also influenced many other films, including the Terminator series and Terry Gilliam's Hollywood 'remake' Twelve Monkeys (1995). But as Marker rarely gave interviews, little is really known about the origins of La Jetee or the ideas behind it. This book examines the making of the film. and explores how Marker's only fiction film was influenced both by his early work as a writer and by Alfred Hitchcock's Vertigo (1958), and considers how La Jetee's images can be seen to 'echo' throughout Marker's diverse oeuvre.

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Edition Statements

  • Publication Date:©2016

Publication Statements

  • Publisher(s):Palgrave
  • Place of Publication:London
  • Language:eng
  • Publication Date:©2016

Notes

"A BFI book published by Palgrave."

The Physical Object

  • Description:94 pages : : illustrations ; : 19 cm.

Edition Identifiers

  • ISBN:1844576426, 9781844576425
  • oclc:ocn936533067
  • LC Classification:PN1997.J444
  • Dewey Decimal:791.43/72

Table of Contents

La jetée...still -- In the beginning -- Window shopping in 1962 -- Chris Marker takes the stairs -- This is the story... -- The life and death of images.

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