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"Chris Marker's La Jetée is 28 minutes long and almost entirely made up of black-and-white still images. Since its release in 1964, the film - which Marker described as a 'photo-novel' - has haunted generations of viewers and inspired writers, artists and film-makers. Its spiral…
Chris Darke's study places Chris Marker's 'La Jeteé' (1962) in its political, cultural and cinematic context, and provides a detailed analysis of its formal and stylistic elements, particularly Marker's use of still photography, references to other films, including Hitchcock's '…
Chris Marker's La Jetee is 28 minutes long and almost entirely made up of black-and-white still images. Since its release in 1964, this legendary French film - which Marker described as a 'photo-novel' - has haunted generations of viewers and inspired writers, artists and film-m…
Dossier Chris Marker: The Suffering Image is a study of a late-modern chiasmus, impersonal-personal agency, as it comes to expression in the works of French artist and filmmaker, Chris Marker, as the dynamic interplay of political and subjective agency. As chiasmus, the compleme…
How do the practices of philosophy and film converge in ethical and political theory? Focusing on Alain Resnais and Chris Marker's cinemas, Boljkovac uses the philosophy of Gilles Deleuze to ask how cinema can enable us to see and act in an ethical way.
