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"Spectatorship cuts a path through the dense undergrowth of the debate on spectatorship. Film, like all visual culture, offers the possibility, and the pleasure, of seeing things we would not normally be able to see: cinema makes a spectacle of the everyday and turns the spectac…
Michele Aaron cuts a lucid path through the dense undergrowth of the debate on spectatorship. She revisits the classics of Hollywood and explores films from beyond the mainstream, such as 'Dogme 95' to explore the nature of seeing and spectatorship.
"Spectatorship cuts a path through the dense undergrowth of the debate on spectatorship. Film, like all visual culture, offers the possibility, and the pleasure, of seeing things we would not normally be able to see: cinema makes a spectacle of the everyday and turns the spectac…
This book is divided into sections on the definition, the filmmakers, the geography, and the spectator of New Queer Cinema. Chapters address the pivotal directors and the salient films but also non-mainstream and non-Anglo-American work (e.g. experimental film and third cinema).
This is an introduction to New Queer Cinema (NQC) covering themes such as genre, gender and race, politics, media and the relationship between NQC and the mainstream.
This is an introduction to New Queer Cinema (NQC) covering themes such as genre, gender and race, politics, media and the relationship between NQC and the mainstream.