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Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Foreword -- Preface: Way beyond the Pleasure Principle -- The Opposition to Sublimation -- 1. The Insistence of the Image: Hitchcock's Vertigo -- Sublimation and Art -- 2. Meaning on Trial: Sublimation and Th…
Each of the contributors addresses the theoretical questions by pursuing a definite artistic problem, including a close look at the relation between the image and the object in Hitchcock's Vertigo, the sexual aesthetics of Caravaggio, the artistic pen of Barthes, and how Cronenb…