Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework tha…
"Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework th…
Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture.
Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework tha…
"Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework th…
Circuits of Cotton -- Market Aesthetics: Color, Cloth, and Commerce -- Of Vision and Value: Landscape and Labor after Slavery -- Material Histories and Speculative Conditions -- A Material with Memory.
"Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework th…
Circuits of Cotton -- Market Aesthetics: Color, Cloth, and Commerce -- Of Vision and Value: Landscape and Labor after Slavery -- Material Histories and Speculative Conditions -- A Material with Memory. "Using cotton-a commodity central to the slave trade and colonialism-as a pa…
In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-K…
Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture.
"Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework th…
"Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture."--