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Focuses on successful productions and notable flops that highlight the difficulties in adapting the Old and New Testaments for the stage, requiring a balance of religious and commercial considerations through a blend of spectacle, authenticity, sincerity, and irony.--
Focuses on successful productions and notable flops that highlight the difficulties in adapting the Old and New Testaments for the stage, requiring a balance of religious and commercial considerations through a blend of spectacle, authenticity, sincerity, and irony.--
Biblical texts have inspired more than 100 Broadway plays and musicals, ranging from early spectacles like Ben-Hur (1899) to more familiar works such as Godspell and Jesus Christ Superstar. What happens when a culture's most sacred text enters its most commercial performance ven…
This reader provides a lively anthology of critical writings on the burgeoning discipline of performance studies. It provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre and…
Theatre History Studies 2009: Volume 29
by Londre, Felicia Hardison, Osborne, Elizabeth, Johnson, Odai, Bial, Henry, Essin, Christin, Beck, Anne, Causey, Matthew, Shimko, Robert B., Elam, Harry J., Jr, Theatre History Studies Staff, Allan, Cynthia L., Buckner, Jocelyn L., Clark, Larry D., Conti, Meredith, Downey, Patricia K., Dutt, Hephzibah D., Eisen, Kurt, Geary, Fonzie D., II, Irelan, Scott R., Leiter, Cary, Seguro, Maria Isabel, Willcoxon, Jeanne, Woodward, Kirk, Ybarra, Patricia, Bromfield, Joseph C., Cavenaugh, Jennifer Jones, Cornwell, Paul, Hohman, Valleri J., Lowe, Meredith, Martinez, Marc, Roark, Carolyn D.
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