This collection seeks to move noncombatant perspectives to center stage, acknowledging their importance, destabilizing the primacy of the combatant, and explaining or undermining the staging of warfare as a singular and acontextual production.
This collection seeks to move noncombatant perspectives to center stage, acknowledging their importance, destabilizing the primacy of the combatant, and explaining or undermining the staging of warfare as a singular and acontextual production.
Drawing on an eclectic array of historical and cultural studies, this collection seeks to move the perspectives marginal to mainstream war stories, namely those of non-combatants, to center stage. It does so through analyzing the ways in which wars, real and imagined, impact (an…