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The crime serials by French filmmaker Louis Feuillade provide a unique point of departure for film studies, presenting modes rarely examined within early cinematic paradigms. Vicki Callahan addresses the crime serials of Louis Feuillade from a feminist perspective.
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This title illustrates the relationship between film history and feminist theory. The book brings together feminist scholars to examine the intersections of feminism, history, and feminist theory in film. Subjects include archival work, visual culture, reception studies, biograp…