This volume offers a historical and critical analysis of Grotowski's 'Akropolis' and Kantor's 'Dead Class', examining the ways that both directors represent Auschwitz in order to provide a new understanding of how translating trauma through the prism of performance can alter and…
This volume offers a historical and critical analysis of Grotowski's 'Akropolis' and Kantor's 'Dead Class', examining the ways that both directors represent Auschwitz in order to provide a new understanding of how translating trauma through the prism of performance can alter and…
