Whereas contemporary postsocialist China is typically depicted in terms of rampant, ideologically vacuous commodification, the Mao era––and especially the apogee of Maoist fervor, the Cultural Revolution (1966-76)––is normally cast as a time of ubiquitous politics and scarce goo…
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The sonic imaginary -- Selling revolution -- Productivist display -- Illuminating the commodity fetish -- Remediating the hero -- The model in the mirror.
"The Chinese Cultural Revolution (1966-76) is typically cast as a time of ubiquitous politics and scarce goods. Indeed, with the exception of the likeness and words of Mao Zedong, the media and material culture of the Cultural Revolution are often characterized as a void out of …
"The Chinese Cultural Revolution (1966-76) is typically cast as a time of ubiquitous politics and scarce goods. Indeed, with the exception of the likeness and words of Mao Zedong, the media and material culture of the Cultural Revolution are often characterized as a void out of …
The sonic imaginary -- Selling revolution -- Productivist display -- Illuminating the commodity fetish -- Remediating the hero -- The model in the mirror. "The Chinese Cultural Revolution (1966-76) is typically cast as a time of ubiquitous politics and scarce goods. Indeed, wit…
The sonic imaginary -- Selling revolution -- Productivist display -- Illuminating the commodity fetish -- Remediating the hero -- The model in the mirror.
"The Chinese Cultural Revolution (1966-76) is typically cast as a time of ubiquitous politics and scarce goods. Indeed, with the exception of the likeness and words of Mao Zedong, the media and material culture of the Cultural Revolution are often characterized as a void out of …
"The Chinese Cultural Revolution (1966-76) is typically cast as a time of ubiquitous politics and scarce goods. Indeed, with the exception of the likeness and words of Mao Zedong, the media and material culture of the Cultural Revolution are often characterized as a void out of …