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Millesuoni: Deuleuze, Guattari e la musica elettronica
by Cox, Christoph, Paci, Roberto
fromVirus
0
Type: Book
Millesuoni: Deuleuze, Guattari e la musica elettronica
by Cox, Christoph, Paci, Roberto
fromVirus
0
Type: Book
Sound
by Kaprow, Allan, Rancière, Jacques, Iles, Chrissie, Cage, John, Somaini, Antonio, Virilio, Paul, Attali, Jacques, Chion, Michel, Connor, Steven, Gillick, Liam, Shaviro, Steven, Mitchell, W. J. Thomas, Toop, David, Cox, Christoph, Lucier, Alvin, Anderson, Laurie, Draxler, Helmut, Leitner, Bernhard, Joseph, Branden Wayne, Alpers, Svetlana, Thompson, Emily Ann, Munroe, Alexandra, Hegarty, Paul, Schafer, R. Murray, Gordon, Kim, Kahn, Douglas, Kim-Cohen, Seth, Johnson, Tom, Acconci, Vito, Bertoia, Harry, Cascone, Kim, Celant, Germano, Coe, Ralph T., Creed, Martin, Dadson, Philip, Delehanty, Suzanne, DeMarinis, Paul, Duchamp, Marcel, Fontana, Bill, Furlong, William, Graham, Dan, Herbert, Martin,, kritik, Kelley, Mike, Klein, Yves, Kubisch, Christina, LaBelle, Brandon, Lander, Dan, Lye, Len, Marclay, Christian, Morris, Robert, Nauman, Bruce, Nitsch, Hermann, Nyman, Michael, Roden, Steve, Russolo, Luigi, Serres, Michel, Shiomi, Mieko, Snow, Michael, Tone, Yasunao, Viola, Bill
fromDocuments of contemporary art
0
Type: Book
From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developme…
"From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself : noise, silence, and environmental sound. Christoph Cox argues that these develop…
From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developme…
From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developme…
From Edison's invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developme…
