Drawing on foundational realist theories and recent takes on the body and the senses, this title examines the fascinating work of Carlos Reygadas, Tsai Ming-liang and Gus Van Sant.
Over the last decade, a realist tendency has made its mark on the world cinema map. What are its main aesthetic and political characteristics? How does it relate to the realist canon and world cinema history? What are the different facets of this phenomenon as expressed in diver…
Drawing on foundational realist theories and recent takes on the body and the senses, this title examines the fascinating work of Carlos Reygadas, Tsai Ming-liang and Gus Van Sant.
Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.
Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.