"19" Result
Sort By:
In The Bowery in two inadequate descriptive systems (1974--75), Martha Rosler bridged the concerns of art with those of political documentary. The work, a series of twenty-one black-and-white photographs, twenty-four text panels and three blank panels, embraces the codes of the …
In this illustrated, extended essay on the work by Rosler, Steve Edwards argues that although the critical attitude towards documentary is an important dimension of the piece, it does not exhaust the meaning of the project.
"In this illustrated, extended essay on the work by Rosler, Steve Edwards argues that although the critical attitude towards documentary is an important dimension of the piece, it does not exhaust the meaning of the project."--
In this illustrated, extended essay on the work by Rosler, Steve Edwards argues that although the critical attitude towards documentary is an important dimension of the piece, it does not exhaust the meaning of the project.
The first sustained critical examination of a work by Martha Rosler that bridged the concerns of conceptual art with those of political documentary. In The Bowery in two inadequate descriptive systems (1974'1975) Martha Rosler bridged the concerns of conceptual art with those of…
