Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a w…
What do we watch when we watch war? Who manages public perceptions of war and how? This publication examines how theatre in the UK has staged, debated and challenged the ways in which spectacle is habitually weaponised in times of war.
Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a w…
"What do we watch when we watch war? At a time when spectacle and conflict have joined forces via audio-visual technologies in ways that are more powerful than ever, who now manages public perceptions of war and how? Watching War on the Twenty-First Century Stage: Spectacles of …
" Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a…
La 4e de couverture indique : "What do we watch when we watch war? At a time when spectacle and conflict have joined forces via audio-visual technologies in ways that are more powerful than ever, who now manages public perceptions of war and how? Watching War on the Twenty-First…
This is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of plays and productions - inclu…
" Watching War on the Twenty-First Century Stage is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a…
This is the first publication to analyse the ways in which UK theatre has represented, interrogated or contested images of war and terrorism as they are habitually presented in the dominant media. Drawing on theories of spectacle and a wide array of plays and productions - inclu…
"What do we watch when we watch war? At a time when spectacle and conflict have joined forces via audio-visual technologies in ways that are more powerful than ever, who now manages public perceptions of war and how? Watching War on the Twenty-First Century Stage: Spectacles of …
