Introduction. We insist: the idea of black film -- Reckless eyeballing : coonskin and the racial grotesque -- Smiling faces : Chameleon street and Black performativity -- Voices inside (everything is everything) : deep cover and modalities of noir blackness -- Black maybe : medi…
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In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges ex…
Introduction. We insist: the idea of black film -- Reckless eyeballing : coonskin and the racial grotesque -- Smiling faces : Chameleon street and Black performativity -- Voices inside (everything is everything) : deep cover and modalities of noir blackness -- Black maybe : medi…
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges ex…
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges ex…
Michael Boyce Gillespie shifts the ways we think about black film, seeing it not as the representation of the black experience, but as the visual negotiation between film as art and the social construction of race, as well as an interdisciplinary form that enacts black visual an…
"In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges e…