"Stravinsky's re-invention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental re-consideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths a…
An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.
"Stravinsky's re-invention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental re-consideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths a…