"The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as loc…
"The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as loc…
The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lock…
The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lock…
An overlooked episode of vision's history -- Intimate vision: the portrait miniature's structure of address -- Gazing games: eye portraits and the two sexes of sight -- The crying image: the withdrawal of the gaze -- Intimate as extimate: the gaze as part-object -- The face beco…
The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lock…
The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lock…
Art as a form of thinking -- Defining the pensive image. Theorizing stillness ; tracing the Denkbild -- Painting as philosophical reflection. Room for reflection : interior and interiority; The profundity of still life; Painting as a space for thought -- Painting's wonder. "Gro…
While the philosophical dimension of painting has long been discussed, a clear case for painting as a form of visual thinking has yet to be made. Traditionally, vanitas still life paintings are considered to raise ontological issues while landscapes direct the mind towards intro…
Grootenboer aborda el arte como filosofía, es decir, el arte como consideración del pensamiento. Insiste en que el arte moderno puede ser visto a través de intereses y conceptos contemporáneos y que puede articular pensamientos y formar conceptos en términos visuales, lo que est…
