The contributors to Long Term use the tension between the popular embrace and legalization of same-sex marriage and the queer critique of homonormativity as an opportunity to examine the myriad forms of queer commitments and their durational aspect. They consider commitment in a…
"The tension between the popular embrace of same-sex marriage and the queer critique of homonormativity prompts the contributors to Long Term to explore queer commitments as they are more broadly conceived. The essays contained here de-familiarize the idea of commitment and exte…
"The contributors to Long Term use the tension between the popular embrace and legalization of same-sex marriage and the queer critique of homonormativity as an opportunity to examine the myriad forms of queer commitments and their durational aspect."--
"The follow-up to the groundbreaking Black Queer Studies, the edited collection "No Tea, No Shade" brings together nineteen essays from the next generation of scholars, activists, and community leaders doing work on black gender and sexuality. Building on the foundations laid by…
The follow-up to the groundbreaking Black Queer Studies, the edited collection No Tea, No Shade brings together nineteen essays from the next generation of scholars, activists, and community leaders doing work on black gender and sexuality. Building on the foundations laid by th…
Performance artist and scholar E. Patrick Johnson's provocative study examines the various ways that blackness is appropriated and performed - toward widely divergent ends - both within and outside African American culture.
A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity.
Performance artist and scholar E. Patrick Johnson's provocative study examines the various ways that blackness is appropriated and performed - toward widely divergent ends - both within and outside African American culture.
A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity.
Performance artist and scholar E. Patrick Johnson's provocative study examines the various ways that blackness is appropriated and performed - toward widely divergent ends - both within and outside African American culture.
