For Miguel de Cervantes, emotions are an integral and inevitable component of the early modern Mediterranean; to narrate a Mediterranean experience is to always already speak of an affective experience. This dissertation thus seeks to understand the author's works through two pr…
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Introduction -- Connected (Hi)stories: The Cervantine, Literary, and Affective Mediterranean -- Shadows of the Inquisition: Honour, Shame, and a Cervantine View of Mediterranean "Values" -- A Mediterranean (Tragi)comedy: Sancho, Ricote, and the Emotional Politics of Laughter -- …
Introduction -- Connected (Hi)stories: The Cervantine, Literary, and Affective Mediterranean -- Shadows of the Inquisition: Honour, Shame, and a Cervantine View of Mediterranean “Values” -- A Mediterranean (Tragi)comedy: Sancho, Ricote, and the Emotional Politics of Laughter -- …
"For Miguel de Cervantes, to narrate a Mediterranean experience is to necessarily speak of an emotional experience. Affective Geographies takes as its point of departure the premise that literature is as influential in constructing the Mediterranean as are its geographic, climat…
"For Miguel de Cervantes, to narrate a Mediterranean experience is to necessarily speak of an emotional experience. Affective Geographies takes as its point of departure the premise that literature is as influential in constructing the Mediterranean as are its geographic, climat…