Jordan, John

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Why theatre?

Why theatre?

by Estevam, Douglas, Rau, Milo, Staal, Lara, Casella, Luanda, Muraya, Ogutu, Vumilia, Marc-Antoine, Mouffe, Chantal, Scheidler, Fabian, Jordan, John, D'Souza, Radha, Chipaumire, Nora, Kennedy, Susanne, Liddell, Angélica, Louis, Édouard, Okada, Toshiki, Platel, Alain, Pollesch, René, Rodrigues, Tiago, Warlop, Miet, Al Attar, Mohammad, Arias, Lola, Aristizábal, Hector, Bartana, Yael, Baudriller, Vincent, Bel, Jérôme, Ben Chikha, Chokri, Bruguera, Tania, Claessens, Benny, Copper, Kelly, De Keersmaeker, Anne Teresa, Drăgan, Mihaela, El Khoury, Tania, Esinencu, Nicoleta, Etchells, Tim, Forjaz, Cibele, Frljić, Oliver, Gosselin, Julien, Hendrickx, Sébastien, Holzinger, Florentina, Huang, Hsin-Chien, Huppert, Isabelle, Infante, Manuela, Jatahy, Christiane, Kaegi, Stefan, Karschnia, Alexander, Kentridge, William, Koohestani, Amir Reza, Laberenz, Aino, Larbi Cherkaoui, Sidi, Lardi, Ursina, Lauwers, Jan, Layera, Marco, Leadbitter, James, Leysen, Frie, Lilienthal, Matthias, Malzacher, Florian, Mitchell, Katie, Mitrović, Sanja, Mnouchkine, Ariane, Montanari, Ermanna, Martinelli, Marco, Morgenstern, Maia, Mpelé, Yolanda, Mroué, Rabih, Mundruzcó, Kornel, Mutiri, Nganji, Neziraj, Jeton, Nicolò, Daniela, Casagrande, Enrico, Nikitin, Boris, Nyamza, Mamela, Öhrn, Markus, Osten, Suzanne, Ostermeier, Thomas, Ouizguen, Bouchra, Pauwels, Lies, Perceval, Luk, Quesne, Philippe, Rasem, Mokhallad, Richter, Falk, Röggla, Kathrin, Roll, Pia Maria, Benammar, Hanan, Ruiz, Didier, Sabra, Amir, Saleh, Farah, Seidel, Dennis, Serebrennikov, Kirill, Siwani, Buhlebezwe, Spångberg, Mårten, Sprenger, Veit, Staal, Jonas, Strauß, Botho, Tupajić, Tea, Karemera, Carole Umulinga, Vamos, Igor, van Hove, Ivo, Vienne, Gisèle, Vilensky, Dmitry, Waltz, Sasha, Warsza, Joanna, Weerasethakul, Apichatpong, Ziegler, Dominique, NTGent, Back to Back Theatre, Bread and Puppet Theater, LasTesis, Gob Squad, House of Muchness, She She Pop, Zentrum für Politische Schönheit

fromGoldenes Buch

0 Type: Book

Part I explains the design philosophy behind each of the classes built after 1922, and outlines the characteristics of each type, accompanied by detailed data tables and a comprehensive set of specially-drawn plans based on official documents, as well as carefully-selected photo…

Part I explains the design philosophy behind each of the classes built after 1922, and outlines the characteristics of each type, accompanied by detailed data tables and a comprehensive set of specially-drawn plans based on official documents, as well as carefully-selected photo…