When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play -- the matter and the maker -- thus the two ways of being subjectified as bo…
Leading scholars and practitioners of first-person film are brought together in this collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
Leading scholars and practitioners of first-person film are brought together in this collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play -- the matter and the maker -- thus the two ways of being subjectified as bo…
