Nine case studies from the history of computer music. John Chowning - Stria ; Barry Truax - Riverrun ; Philippe Manoury - Pluton ; Hildegard Westerkamp - Beneath the Forest Floor ; Francis Dhomont - Phonurgie ; Trevor Wishart - Imago ; Jonathan Harvey - Fourth String Quartet ; C…
"This publication (the text and the software) aims to explore the relationship between new technical innovations in computer technology for music and the creative practice of composers employing these new techniques. It asks: does the new technology lead to new sounds and new wa…
Memories of violence, suffering and atrocities in Cambodia are today being pulled in different directions. A range of transitional justice practices have been put to work in the name of redressing, restoring and renewing memory. At the centre of this stage is the Extraordinary C…
1. Introduction -- 2. Transitional justice and memory -- 3. Political violence in Cambodia -- 4. Moving forward through justice -- 5. Memory on trial -- 6. Complementary knowledge -- 7. Victims and perpetrators -- 8. Beyond the tribunal -- 9. Remembering the Khmer Rouge tribunal.
Introduction -- Transitional justice and memory -- Political violence in Cambodia -- Moving forward through justice -- Memory on trial -- Complementary knowledge -- Victims and perpetrators -- Beyond the tribunal -- Remembering the Khmer Rouge tribunal
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgements -- Chapter 1 Introduction -- Transitional justice and Cambodia -- Memory -- Researching transitional justice and memory in Cambodia -- Argument -- Structure of the book --…
"This publication (the text and the software) aims to explore the relationship between new technical innovations in computer technology for music and the creative practice of composers employing these new techniques. It asks: does the new technology lead to new sounds and new wa…
"This publication (the text and the software) aims to explore the relationship between new technical innovations in computer technology for music and the creative practice of composers employing these new techniques. It asks: does the new technology lead to new sounds and new wa…