The first study to connect the exponential growth in amateur choral singing to the culture of public celebrations and festivals.
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Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Yet, in this reappraisal of choral singing and public culture, Minor shows how a burgeoning German bourgeoisie sang of its own collective …
The first study to connect the exponential growth in amateur choral singing to the culture of public celebrations and festivals.
Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Yet, in this reappraisal of choral singing and public culture, Minor shows how a burgeoning German bourgeoisie sang of its own collective …
Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Yet, in this reappraisal of choral singing and public culture, Minor shows how a burgeoning German bourgeoisie sang of its own collective …
Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Yet, in this reappraisal of choral singing and public culture, Minor shows how a burgeoning German bourgeoisie sang of its own collective …
Ryan Minor tells the story of amateur, middle-class choral singing when it took on the characteristics we recognize today. Four case studies focused on individual compositions connect the ideals of participatory choral singing to the national culture of public festivals in 19th-…
The first study to connect the exponential growth in amateur choral singing to the culture of public celebrations and festivals.