by Perriam, Christopher, Dudrah, Rajinder Kumar, Nagib, Lúcia
fromTauris world cinema series
by Perriam, Christopher, Dudrah, Rajinder Kumar, Nagib, Lúcia
fromTauris world cinema series
by Perriam, Christopher, Dudrah, Rajinder Kumar, Nagib, Lúcia
fromTauris world cinema series
by Perriam, Christopher, Dudrah, Rajinder Kumar, Nagib, Lúcia
fromTauris world cinema series
by Perriam, Christopher, Dudrah, Rajinder Kumar, Nagib, Lúcia
fromTauris world cinema series
Is about the place of World Cinema in the cultural imaginary. It also repositions World Cinema in a wider discursive space than is usually the case and treats it as an object of theoretical enquiry, rather than as a commercial label. The editors and distinguished group of contri…
by Dudrah, Rajinder, Nagib, Lúcia, Perriam, Chris
fromTauris world cinema series
by Perriam, Christopher, Dudrah, Rajinder Kumar, Nagib, Lúcia
fromTauris world cinema series
by Perriam, Christopher, Dudrah, Rajinder Kumar, Nagib, Lúcia
fromTauris world cinema series
This textbook for studies in the field re-places world cinema in the cultural imagery. It also repositions world cinema in a wider discursive space than hitherto and treats it as an object of theoretical enquiry, rather than as a commercial label.
This textbook for studies in the field re-places world cinema in the cultural imagery. It also repositions world cinema in a wider discursive space than hitherto and treats it as an object of theoretical enquiry, rather than as a commercial label.
by Dudrah, Rajinder Kumar, Nagib, Lúcia, Perriam, Chris
fromTauris world cinema series
This textbook for studies in the field re-places world cinema in the cultural imagery. It also repositions world cinema in a wider discursive space than hitherto and treats it as an object of theoretical enquiry, rather than as a commercial label.
by Perriam, Christopher, Dudrah, Rajinder Kumar, Nagib, Lúcia
fromTauris world cinema series
This textbook for studies in the field re-places world cinema in the cultural imagery. It also repositions world cinema in a wider discursive space than hitherto and treats it as an object of theoretical enquiry, rather than as a commercial label.
"This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the w…