Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America's most industrialized nations and later developed two of the …
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Résumé en 4ème de couverture: "Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America's most industrialized nations …
Sensationalizing public violence in Mexico -- Staging public violence in Porfirian and revolutionary Mexico, 1896-1922 -- On location: adventure melodramas in postrevolutionary Mexico, 1920-1927 --Staging spectacles of modernity in Brazil -- Reconstructing crime in Rio de Janeir…
In Public Spectacles of Violence Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America's most industrialized nation…
Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America's most industrialized nations and later developed two of the …
Rielle Navitski examines the proliferation of cinematic and photographic images of violence in in early-twentieth-century Mexico and Brazil, showing how sensational media helped audiences make sense of the political instability, crime, violence, and change in daily life that acc…