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This text looks at four performances in Africa and uses this to question the tendency in much western and some non-western scholarship to employ western frames of reference to examine/appreciate every kind of theatre or performance.
This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content, and differentiates it from the other two volumes. The…
