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This work attempts to understand how the concepts of "voice" and "genre" function in texts, especially religious texts. The theory given is applied to five specific literary texts, detailing the ways in which a text constructs a voice, and in the process, a self.
Taking the motif of voice as the basis for a new understanding of genre, Ruf focuses on the creation and expression of voices in 'religious' texts and illuminates the religious consequences of genre.
