This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spin…
Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, this book examines a kind of cinema that the author calls 'affective-performative'.
Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, this book examines a kind of cinema that the author calls 'affective-performative'.
This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spin…
"A Deleuzian study of the negative affects in extreme/violent cinemas as a form of ethological experimentation" ...
"A Deleuzian study of the negative affects in extreme/violent cinemas as a form of ethological experimentation"
"A Deleuzian study of the negative affects in extreme/violent cinemas as a form of ethological experimentation"--
"A Deleuzian study of the negative affects in extreme/violent cinemas as a form of ethological experimentation"--