In this history, Dominic Sandbrook recreates the gaudy atmosphere of the early 1970s: the world of Enoch Powell & Tony Benn, David Bowie & Brian Clough, Germaine Greer & Mary Whitehouse. An age when the unions were on the march & the socialist revolution seemed at hand.
In the early 1970s, Britain seemed to be tottering on the brink of the abyss. Under Edward Heath, the optimism of the Sixties had become a distant memory. Now the headlines were dominated by strikes and blackouts, unemployment and inflation. As the world looked on in horrified f…
In this history, Dominic Sandbrook recreates the gaudy atmosphere of the early 1970s: the world of Enoch Powell & Tony Benn, David Bowie & Brian Clough, Germaine Greer & Mary Whitehouse. An age when the unions were on the march & the socialist revolution seemed at hand.
In this history, Dominic Sandbrook recreates the gaudy atmosphere of the early 1970s: the world of Enoch Powell & Tony Benn, David Bowie & Brian Clough, Germaine Greer & Mary Whitehouse. An age when the unions were on the march & the socialist revolution seemed at hand.
La 4e de couv. indique : "The early 1970s were the age of gloom and glam. They brought us strikes, blackouts, inflation, tower blocks and the three-day week, yet they were also years of stunning change and cultural dynamism, heralding a social revolution that gave us celebrity f…
In this history, Dominic Sandbrook recreates the gaudy atmosphere of the early 1970s: the world of Enoch Powell & Tony Benn, David Bowie & Brian Clough, Germaine Greer & Mary Whitehouse. An age when the unions were on the march & the socialist revolution seemed at hand.
In this history, Dominic Sandbrook recreates the gaudy atmosphere of the early 1970s: the world of Enoch Powell & Tony Benn, David Bowie & Brian Clough, Germaine Greer & Mary Whitehouse. An age when the unions were on the march & the socialist revolution seemed at hand.
Sandbrook re-creates the schizophrenic atmosphere of the 1970s, an age when feminists were on the march and the Communists seemed to be winning the Cold War, but also when a new kind of right-wing populism was transforming American politics form the ground up.
Sandbrook re-creates the schizophrenic atmosphere of the 1970s, an age when feminists were on the march and the Communists seemed to be winning the Cold War, but also when a new kind of right-wing populism was transforming American politics form the ground up.
"I'm mad as hell, and I'm not going to take it anymore!" The words of Howard Beale, the fictional anchorman in 1976's hit film Network, struck a chord with a generation of Americans. In this new history, the author ranges seamlessly over the political, economic, and cultural hig…