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Constantine Santas encourages us to wonder why critics have routinely dismissed the epic film. In The Epic in Film, Santas argues that 'blockbuster' and 'artistic' are not mutually exclusive terms and that epic film is an inherently profound genre in its ability to tap into a na…
Constantine Santas encourages us to wonder why critics have routinely dismissed the epic film. In The Epic in Film, Santas argues that 'blockbuster' and 'artistic' are not mutually exclusive terms and that epic film is an inherently profound genre in its ability to tap into a na…
Encourages us to wonder why critics have routinely dismissed the epic film. This work argues that blockbuster and artistic are not mutually exclusive terms and that epic film is an inherently profound genre in its ability to tap into a nation's dreams and fears.
Constantine Santas encourages us to wonder why critics have routinely dismissed the epic film. In The Epic in Film, Santas argues that 'blockbuster' and 'artistic' are not mutually exclusive terms and that epic film is an inherently profound genre in its ability to tap into a na…
"In The Epic in Film, Constantine Santas argues that "blockbuster" and "artistic" are not mutually exclusive terms and, perhaps more importantly, that epic film is an inherently profound genre in its ability to tap into the dreams and fears of a nation, and sometimes those of th…
Constantine Santas encourages us to wonder why critics have routinely dismissed the epic film. In The Epic in Film, Santas argues that 'blockbuster' and 'artistic' are not mutually exclusive terms and that epic film is an inherently profound genre in its ability to tap into a na…