"The Typographic Imaginary in Early Modern English Literature contributes to an understanding of how printing changed early modern English literary culture. Rachel Stenner discusses printers' manuals, William Caxton's paratexts, Robert Copland's dramatic dialogues, the prose fic…
Instructional texts and print symbolism: Christopher Plantin, Hieronymus Hornschuch, and Joseph Moxon -- An emergent typographic imaginary in William Caxton's Paratexts -- Robert Copland, Thomas Blague, and the printer-author dialogue -- Protestant printing and humanism in Bewar…
The typographic imaginary is an aesthetic linking authors from William Caxton to Alexander Pope, this study centrally contends. Early modern English literature engages imaginatively with printing and this book both characterizes that engagement and proposes the typographic imagi…
"The Typographic Imaginary in Early Modern English Literature contributes to an understanding of how printing changed early modern English literary culture. Rachel Stenner discusses printers' manuals, William Caxton's paratexts, Robert Copland's dramatic dialogues, the prose fic…
"The Typographic Imaginary in Early Modern English Literature contributes to an understanding of how printing changed early modern English literary culture. Rachel Stenner discusses printers' manuals, William Caxton's paratexts, Robert Copland's dramatic dialogues, the prose fic…
Print Culture, Agency, and Regionality in the Hand Press Period illuminates the diverse ways that people in the British regional print trades exerted their agency through interventions in regional and national politics as well as their civic, commercial, and cultural contributio…