Opening Credits "Akira Kurosawa" : a retrospective prologue -- Introduction : "Romance, comedy, and somewhat jazzy music" -- Problems of translation : world cinema as distribution history -- moving toward the "City of love": Hindustani lyrical genealogies -- Homosocialist co-pro…
"By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizeable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted…
"By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizeable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted…
By the 1960s, Hindi-language films from Bombay were in high demand, not only for domestic and diasporic audiences, but for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Confounding critics who saw the films as n…
"By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizeable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted…
"By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizeable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted…