A historical ethnography of photographs as a colonial tool and as reappropriated by the indigenous population from the 1860s through the 1920s and in the present.
A historical ethnography of photographs as a colonial tool and as reappropriated by the indigenous population from the 1860s through the 1920s and in the present.
The author takes up issues central to modern anthropology. In so doing he raises doubts about any simple "us / them" dichotomy between Westerners and Pacific Islanders, challenging the preoccupation of anthropology with cultural differences by stressing the shared history of col…
The author takes up issues central to modern anthropology. In so doing he raises doubts about any simple "us / them" dichotomy between Westerners and Pacific Islanders, challenging the preoccupation of anthropology with cultural differences by stressing the shared history of col…
In a wide-ranging account of the development of ideas about human difference, Nicholas Thomas challenges reigning theories that portray colonialism as monolithic in character, purpose, and efficacy throughout the world. Taking issue with such writers as Edward Said, Homi Bhabha,…
In a wide-ranging account of the development of ideas about human difference, Nicholas Thomas challenges reigning theories that portray colonialism as monolithic in character, purpose, and efficacy throughout the world. Taking issue with such writers as Edward Said, Homi Bhabha,…