Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
'Vertov, Snow, Farocki' begins with a comprehensive and original anthropological analysis of Vertov's film 'The Man With a Movie Camera'. Tomas then explores the film's various aspects and contributions to media history and practice through detailed discussions of selected case …
Introduction -- Threshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detaile…
Theory rules: art as theory / theory and art
by Straw, Will, Tomas, David, Berland, Jody
Theory rules: art as theory, theory and art
by Straw, Will, Tomas, David, Berland, Jody
Theory rules: art as theory, theory and art
by Straw, Will, Tomas, David, Berland, Jody
This volume answers some important new questions about the points ofintersection between theory and visual art.
Theory rules: art as theory, theory and art
by Straw, Will, Tomas, David, Berland, Jody