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Connecting opera to shifting visions of metaphysics and selfhood across the last four hundred years, this book examines the relationship between the self and metaphysics as described by philosophers from Ficino through to Adorno, argung that opera has brought them to stage.
In this bold recasting of operatic history, Gary Tomlinson connects opera to shifting visions of metaphysics and selfhood across the last four hundred years. The operatic voice, he maintains, has always acted to open invisible, supersensible realms to the perceptions of its list…
In this bold recasting of operatic history, Gary Tomlinson connects opera to shifting visions of metaphysics and selfhood across the last four hundred years. The operatic voice, he maintains, has always acted to open invisible, supersensible realms to the perceptions of its list…
The author "connects opera to shifting visions of metaphysics and selfhood across the last four hundred years."--Cover.
The author "connects opera to shifting visions of metaphysics and selfhood across the last four hundred years."--Cover
"Music and Historical Critique provides a definitive collection of Gary Tomlinson's influential studies on critical musicology, with the watchword throughout being history. This collection gathers his most innovative essays and lectures, some of them published here for the first…
Provides a collection of the author's studies on critical musicology. This collection gathers essays and lectures, along with an introduction outlining the context of the contributions and commenting on their aims and significance. It provides retrospective view of his achieveme…
