Affectual Erasure examines how Argentine cinema has represented Indigenous peoples throughout a period spanning roughly a century. Cynthia Margarita Tompkins interrelates her discussion of films with the ethnographic context of the Indigenous peoples represented and an analysis …
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Introduction -- Early cinema 1896-1932. Melodrama and avant-la-lettre documentary in Alcides Greca's El último malón (the last "Indian" raid, 1917) -- Kitsch and exoticism in Nelo Cosimi's La quena de la muerte (Death kena, 1929) -- Classical cinema 1933-1956. Femme fatale in Lu…
Affectual Erasure examines how Argentine cinema has represented Indigenous peoples throughout a period spanning roughly a century. Cynthia Margarita Tompkins interrelates her discussion of films with the ethnographic context of the Indigenous peoples represented and an analysis …