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"The Time of the Crime examines the relationship between time and vision as it emerges in five Italian films from the sixties and seventies: Antonioni's Blow-up and The Passenger, Bertolucci's The Spider's Stratagem, Cavani's The Night Porter, and Pasolini's Oedipus Rex. The cen…
The Time of the Crime explores the undoing of the detective genre in the Italian art cinema of the sixties and seventies, using an approach that combines psychoanalysis, phenomenology, and aesthetics to redefine the task of film criticism.
Domietta Torlasco researches the relationship between time and vision as it emerges in five Italian motion pictures from the sixties and seventies.
