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Gillian Woods asks why Catholicism had such an imaginative hold on Shakespearean drama, even though the on-going Reformation outlawed its practice. Concentrating on dramatic impact, and integrating literary analysis with fresh historical research the book offers a new and engagi…
In exploring the dramaturgical variety of the "Catholic" content of Shakespeare's plays, Gillian Woods argues that habits, idioms, images, and ideas lose their denominational clarity when translated into dramatic fiction: they are awkwardly "unreformed" rather than doctrinally C…