He plays the piano well, ' wrote the society hostess Mme de Saint-Marceaux in her diary on 18 March 1927. 'His compositions are not devoid of talent but he's not a genius, and I'm afraid he thinks he is.' Intelligent though the lady was, she got this one spectacularly wrong. Pou…
This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an hi…
Music theory is often seen as independent from - even antithetical to - performance. While music theory is an intellectual enterprise, performance requires an intuitive response to the music. But this binary opposition is a false one, which serves neither the theorist nor the pe…
Tchaikovsky's Sixth Symphony is known for the mystery surrounding its hidden programme and for Tchaikovsky's unexpected death nine days after its premiere. While the speculations about the composer's possible planned suicide and the suggestion that the symphony was intended as h…
Tchaikovsky's Sixth Symphony is known for the mystery surrounding its hidden programme and for Tchaikovsky's unexpected death nine days after its premiere. While the speculations about the composer's possible planned suicide and the suggestion that the symphony was intended as h…
This book represents the first interdisciplinary volume of essays on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each o…
Music and identity in Ireland and beyond
During the Reformation, the Book of Psalms became one of the most well-known books of the Bible. This was particularly true in Britain, where people of all ages, social classes, and educational abilities memorised and sang poetic versifications of the psalms. Those written by Th…
Jacques Brel, Georges Brassens and Leo Ferre are three emblematic figures of post-war French popular music who have been constantly associated with each other by the public and the media. They have been described as the epitome of chanson, and of 'Frenchness'. But there is more …
This collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experi…
Kay Bea Jones' illuminating study of selected works by Studio Albini will reintroduce his contributions to one of the most productive periods in Italian design. Suspending Modernity follows the evolution of Albini's most important buildings and projects, even as they reveal his …
In recent years architectural discourse has witnessed a renewed interest in materiality under the guise of such familiar tropes as 'material honesty, ' 'form finding, ' or 'digital materiality.' Motivated in part by the development of new materials and an increasing integration …
From the Rust Belt to Silicon Valley, the intersection between architecture and industry has provided a rich and evolving source for historians of architecture. In a historical context, industrial architecture evokes the smoking factories of the nineteenth century or Fordist pro…